This was an immense production, supposedly the most expensive American film up until that point, with a lot of creative minds overlapping and reworking one another: Mario Puzo's 500-page first draft was rewritten by Robert Benton and David Newman, who were rewritten by Newman and his wife Leslie Newman, who were rewritten by Tom Mankiewicz (credited on the finished product as well as on " Superman II" as "creative consultant"). It delays its full flight for quite a long time. But when it soars, it never stops. Like Superman himself, it's denser and more powerful than any superhero film that had been made up until then, yet it still takes off, like a bird, like a plane. It has a momentous quality that somehow never came across as heavy or self-involved. Modern superhero cinema begins with " Superman," so it's only fitting that it would kick off with its own version of the Big Bang.
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